![]() ![]() My breakthrough came this evening when I started thinking about Signalyst’s Network Audio Adapter architecture: I’ve spent more hours than I care to admit trying to get TIDAL lossless streaming and digital room correction working together in the Loft. Other alternatives like feeding JRiver’s WDM or ASIO driver from a local TIDAL streamer proved unreliable at best. Sadly, neither of these things are likely to happen anytime soon. Until now, my only hope has been for a TIDAL player like roon to add a convolution feature or for JRiver to add support for TIDAL streaming. When a friend drops by for a listening session without a thumb drive containing their favorite reference tracks, they are stuck wandering aimlessly through my collection. However, that last issue–no TIDAL streaming–has been a major bummer! When someone suggests new music, I can login to TIDAL and preview it on my laptop but hearing what it really sounds like in the Loft must wait until I buy the CD or download it from HDtracks. I also only have a tiny handful of DSD tracks which, if I cared, could be converted to high-rez PCM files. The first two are no big deal I generally listen to entire albums or playlists, so lag is a non-issue once the music starts. Playback is limited to PCM files (no DSD).Real-time convolution means playback controls have a few seconds of extra lag.However, there are a few issues with this setup: This system sounds great (to me, at least), and the JRemote tablet interface works really well. The final step was to configure the convolution engine within JRiver Media Center to apply these filters during playback. After much research, I chose Acourate from AudioVero to design a target response curve and build FIR filters. I have large loudspeakers in a small room, so to get the bass under control, my system really needed some help from a digital room correction system. Before I get started, let me first explain my situation and why I’m excited. Read more about the innovative audiophile features that JRiver Media supports on the JRiver Wiki.I’m so excited! I just have to share…even though chances are slim that you will have any need for a setup like this. It includes an (optional) audiophile-grade crossfeed that makes headphones sound more natural and less fatiguing. Media Center is the ideal system for listening on high-end headphones. Media Center can bitstream DSD to high-end DACs using ASIO 2.2. JRiver Media Center plays high definition formats of FLAC available from HDTracks. Media Center fully supports WAV, AIFF, FLAC, APE, WMA Lossless, Apple Lossless, and WavPack. Matt Ashland, JRiver's CTO, created Monkey's Audio (APE), one of the first lossless compression codecs. JRiver is a pioneer in lossless compression. JRiver supports WASAPI, the best way to communicate with a DAC on Windows. As a result, should you choose to use them, digital volume, room correction, and other audio functions are pristine. Most high-end hardware uses 24-bit output, meaning the engine has an additional 240 dB of precision above the hardware's output. Shortly after arriving home from Las Vegas I arranged a meeting with the people at JRiver and started using the application exclusively."Īll audio handling inside the program is done with 64 bits of precision. I was finally convinced I needed to take JRMC much more seriously. ![]() I compared the sound to the OS X / iTunes partition on the same laptop and was surprised at how much better I like JRMC in that system. JRMC was running on a Mac laptop with Boot Camp and Windows 7. ![]() "In January 2010 at CES I listened to a demo using JRMC 14 and was really pleased with the sound. Here's what Computer Audiophile had to say. The leading website for computer audiophile topics gave JRiver Media Center a very favorable review. This means that it can output your CDs, your HD audio (88.1 KHz, 176 KHz, and more), your DSD, and any other audio perfectly to your DAC. JRiver Media Center audio is bit perfect. JRiver is widely respected by audiophile manufacturers and their customers.
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